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It’s not a 9 to 5 and Working Girl reboot. The film’s focus on run-of-the-mill sexism and inclusion in the workplace themes isn’t slapstick and sexy. It’s no small coincidence that Amazon Studios has a woman chief at the helm, former NBC Entertainment President Jennifer Salke, who took over for ousted studio head Roy Price. Late Night was a hit at Sundance this year, closing a record $13 million deal for U.S. Mindy Kaling’s first feature film effort doesn’t disappoint. Films like Late Night rely on a solid script and a strong cast. Metacritic-type scores reflect a more niche audience. Dramedies and rom-coms don’t often post big numbers.
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On the heels of the critical success of Netflix’s award-winning Roma, movie buffs can expect a slew of alternative studio releases. Late Night is distributed by Amazon Studios. At first he doesn’t disappoint, but Tom’s transformation by the end is one of the most gratifying performances in the film. We expect the consummate office jerk he portrayed as Dan Egan for seven seasons on Veep. A delightful addition to the supporting character cast is Reid Scott as head monologue writer Tom Campbell. Veteran character actor Denis O’Hareportrays the beleaguered senior, yet not entitled, staff writer Brad with exquisite control and poignant angst. With his usual aplomb, he steals every scene fortunate enough to include him.
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John Lithgow plays Katherine’s gifted, once-famous husband, who stepped out of the limelight due to a diagnosis of Parkinson’s disease. A stellar supporting cast helps to carry Late Night through some almost unnoticeable lags and missteps. The social media sensation Mimi Mismatch, brought on the show for the new, progressive format, is reduced to tears when subjected to a modicum of meanness by Katherine’s condescending, acerbic wit. The female network executive played by Amy Ryan despises Katherine. The script stages women upon women, embattled by their own discriminatory and sexist stereotyping. There’s no overt soapbox finger wagging or proselytizing the woes of women in the workforce. Kaling, with a production crew equally female, the empowerment theme rings loud and clear. Directed by Nisha Ganatra from a screenplay written by Ms. Enter stage right, Mindy Kaling (Kelly on “The Office”) as Molly Patel, a chemical factory worker who landed “bass-ackward” as a diversity hire on the all-male writing team for the now lackluster show. In a role-reversal performance worthy of the Bard, Emma Thompson as erstwhile comedienne and talk show host Katherine Newbury stands up to the boys club of network television. This unexpected pairing delivers a smart script with a lot of laugh-out-loud moments predicated on an inversion of the underlying #MeToo/Year of the Woman messaging. (Courtesy photo) Laughing Out Loud: Late Night With Mindy Kaling By Kelly MacConomy ALEXANDRIA,VA-When a past primetime, late night show host discovers her longtime career and marriage are on the rocks, she finds an unlikely advocate in a novice comedy writer who was hired on a fluke.